
how to dress the Overlords as Tony and Ziva for Halloween. (Stella can be Abbey.)
Judge Memorial Catholic High's drama department raised the curtain Thursday night on the rock musical "Rent" despite criticism from some Utah Catholics and a priest offended by the play's gay characters.
The show is a tamed-down school edition of the 1990s Broadway hit about seven friends living the bohemian lifestyle in New York's East Village.
It is to run for five more shows this week and next at Judge, one of Utah's three Catholic high schools.
Sister Catherine Kamphaus, superintendent of schools in the Salt Lake City diocese, said she read the script at the request of Bishop John Wester, and she watched a dress rehearsal Tuesday.
"There is absolutely nothing that would be offensive," Kamphaus said Thursday. "It wasn't condoning the gay and lesbian lifestyle."
Rather, she said, the play shows friends forming a loving and caring community while facing AIDS and other challenges.
Wester declined to comment Thursday. Kamphaus said the bishop learned of the show when a priest complained two weeks ago. Wester considered canceling the run, she said, but ultimately left the final decision to her.
The superintendent praised Judge's use of the play as a springboard to teach about the Roman Catholic Church's compassion for outcasts, the sick and the hopeless.
Judge Principal Rick Bartman said the play is in keeping with the church's outreach to people in the gay community and those with AIDS.
"Church teachings are never compromised [in the play]," Bartman said.
The school edition of the Pulitzer Prize-winning play became available last year, and it has been controversial throughout the country. One song, "Contact," and profane language in the original were removed for the school edition.
Some schools have canceled shows. Others have refused drama teachers' requests to stage it.
Judge is the only Utah school performing the play this year, according to the company that licenses the productions.
The Rev. Erik Richtsteig, pastor of St. James the Just Catholic Church in Ogden, criticized the play on his blog this week, calling it "morally destructive and offensive," and saying that it normalizes deviant behavior. He was at a retreat Thursday and unavailable for comment.
A number of Catholics chimed in on Richtsteig's blog. One wrote, "I am praying for the diocese of Salt Lake City. What a thing to have on its conscience as to allow this play at a supposedly Catholic school."
James Snow, campaign director for 40 Days for Life Utah, an anti-abortion group, suggested that the play's dialogue is "initiating young people into the unseemly subculture and fetishes of the homosexualist movement."
That's not so, Bartman said. "It discusses issues of homelessness, community, helping each other, helplessness and hopelessness," he added. "We felt it was a good, teachable moment for our kids."
The school's drama director, Darin Hathaway, the cast of 22 and the 12 stage technicians have been doing community service in conjunction with the play, according to the school's Web site.
Cast and crew also coordinated and planned the early October all-school prayer service during which prayers were offered for those dealing with poverty, disease and violence.
Bartman said he has had 10 phone calls and e-mails from people objecting to the play, but not one negative comment from students and parents in the Judge community.
Hmmm, so truth depends upon how many people object? And what about the Church's teaching on the immorality of homosexual act? How is that not compromised? Compassion yes, but not approval of behavior contrary to the Gospel. Not to mention that the organization supported by one of the service projects was nothing to be proud of. If you want more proof of the nature of this play, go to the Tribune Website and read the comments on the article.

Oh, Zombieland, how do I love thee! Let me count the ways!A commentator on the "Catholic Identity" post wanted to post this, but was afraid that it might lead to accusations of insensitivity. I have no such fears as my insensitivity is already widely know.

Catholic League president Bill Donohue comments on Michael Moore and his new movie, “Capitalism: A Love Story”:
If the economic system that Michael Moore has successfully milked is “immoral” and “evil,” then that would suggest that he is an immoral, evil man. But we’ll let someone else make the final decision on that one. What we do know is that he is wearing his religion on his sleeve these days, telling Chris Cuomo how he believes “in the core Christian values.” One wonders why, then, would this Catholic—whose role models are the rogue Berrigan brothers—would give money to an urban terrorist group right after they invaded St. Patrick’s Cathedral during Cardinal O’Connor’s Sunday Mass in 1989; some spat the Host on the floor.
More recently, Moore cited the oil giant Halliburton as emblematic of capitalism’s evilness. What he didn’t mention is that his Halliburton investments helped to make him filthy rich. Oh, yes, he also likes Sunoco.
Capitalism has been kind to Moore. He lives in a waterfront mansion with a private beach, one that is so lily-white that not a single black person lives there. This is not by accident. Though he exclaimed in his film “Stupid White Men” that he plans to “hire only black people,” author Peter Schweizer found that of the 134 producers, editors, cinematographers, composers and production coordinators that Moore hired, only three were black.
Moore says it is anti-Christian not to divide the pie fairly. So what would that make him? Oh, yes, he does contribute to soup kitchens. Too bad he doesn’t actually employ the poor—then he could shelve the Campbell’s. In 2002, his charitable donations amounted to $36,000. Sounds like a lot until we learn that he made eight figures that year. One more thing: he ran his donations through his private foundation, a capitalist-created scheme designed to protect fat cats from paying their fair share of taxes.
The next time a social justice Christian brags about his commitment to the poor, ask him to open his own books. Transparency is so beautiful.